When requested what lifts her spirits, Holly Golightly—the drifting heroine of Truman Capote’s 1958 novella Breakfast at Tiffany’s—tells her equally adrift neighbor: “What I’ve discovered does probably the most good is simply to get right into a taxi and go to Tiffany’s. It calms me down immediately, the quietness and the proud look of it. Nothing very dangerous might occur to you there.”
Within the six many years since Capote wrote these phrases, each Manhattan and Tiffany & Co. have modified dramatically. But the attract of America’s best jewellery home endures. That sense of magic feels much more palpable in the present day, following the sweeping renovation of its flagship—now identified merely as The Landmark—helmed by architect Peter Marino.
Final evening, the maison hosted an intimate dinner to have a good time its HardWear assortment campaign that includes artist Anna Weyant. Impressed by the energy and pulse of New York, Tiffany HardWear reimagines a 1962 design meant to convey love’s resilience. The Landmark’s terrace, with its panoramic views of town and Central Park, served as an impeccable backdrop.
Specialty cocktails circulated as friends mingled and posed for images. A propulsive soundtrack curated by Ruby Aldridge lent an electrical cost to the night. Unsurprisingly, many sparkled in the home’s signature jewels: Alexander Roth adorned the lapel of his darkish swimsuit with Jean Schlumberger’s iconic Flames Brooch; Pre-Raphaelite magnificence Karen Elson draped a gold HardWear hyperlink necklace over her seafoam inexperienced frock; Phoebe Gates opted for a bolder tackle the identical chain, rendered in white gold and pavé diamonds.
A lengthy desk dressed with white lilies stretched throughout the limestone terrace. At every place setting: a monogrammed serviette, a hand-painted menu, and a bit blue field. Inside—found sooner quite than later by the much less affected person among the many crowd—a fragile HardWear necklace shimmered within the candlelight.
Weyant, in fact, is broadly thought to be one of the vital compelling American artists working in the present day. Downstairs, her work hangs alongside Jean-Michel Basquiat, Damien Hirst, Julian Schnabel, and Rashid Johnson in Tiffany’s non-public assortment. As novelist Emma Cline as soon as observed: “The work of Anna Weyant evoke a sure airless time of day: 5 p.m., the home nonetheless, the air going stale, the silver beginning to forged off reflections from the lights. Composure with rigidity constructing beneath, an edge, like somebody clearing their throat in a silent room. There’s the standard of ready, as within the opening scenes of a fairy story.”
Weyant, her diamonds catching the sunshine towards a black shift from The Row, held court docket between actresses Chase Sui Wonders and Laura Harrier. Harrier radiated old-Hollywood glamour in an embroidered blue robe, whereas Sui Wonders—the modern-day scream queen whose upcoming I Know What You Did Final Summer time guarantees thrills for followers of the unique ’90s slasher—wore a demure darkish cocktail gown. Behind the trio, the setting solar shattered throughout the roof of The Plaza.
Diners savored a seasonal menu curated by famend chef Daniel Boulud, that includes elegant programs—salade d’artichaut, a fragile fillet of fish, and a candy raspberry confection—that delighted each palate and eye. All through the night, glasses have been topped with chilled Ruinart Blanc de Blancs, created particularly for Tiffany & Co.
