A current X put up has introduced renewed consideration to Tokyo Ghoul mangaka Sui Ishida’s gracious tackle the anime adaptation of his acclaimed sequence. Shared by @AniTVOfficial on February eighth, 2026, the put up quotes a 2021 livestream alternate the place Ishida addressed a fan’s disappointment with the present’s divergences from the manga. Accompanied by placing visuals of protagonist Ken Kaneki amid a vibrant floral backdrop, the thread has garnered over 232,000 views, practically 3,000 likes, and a flurry of replies echoing long-standing requires a remake.
‘Tokyo Ghoul’ Creator Sui Ishida responded to Criticism of the Anime in a 2021 Livestream:
Fan: As a manga reader, I hate the truth that a variety of issues in TG anime are completely different from the manga.
Ishida: Properly, I’m completely happy simply by the truth that folks know the identify. I’m fortunate that it… pic.twitter.com/5SfjpBt2QD
— AniTV (@AniTVOfficial) February 8, 2026
Within the quoted section, a fan expressed frustration: “As a manga reader, I hate the truth that a variety of issues in TG anime are completely different from the manga.” Ishida responded with attribute humility: “Properly, I’m completely happy simply by the truth that folks know the identify. I’m fortunate that it turned to be a beautiful factor. I’m grateful already with folks realizing it’s title.” This understated reply highlights Ishida’s concentrate on the constructive impression of the variation, even because it deviated considerably from his unique work.
The total context of the dialogue is from the November 2021 livestream, as detailed in studies, reveals an much more candid aspect. Ishida elaborated that he is “already grateful that individuals even know its title,” and added a tongue-in-cheek comment: “It’s higher to have a horrible anime than an excellent one, so some folks will need to learn the unique story.” This mix of appreciation and delicate acknowledgment of the variation’s flaws has resonated with followers, a lot of whom really feel the anime did not seize the manga’s depth.
Tokyo Ghoul, serialized by Ishida in Weekly Younger Leap from 2011 to 2014 (with the sequel Tokyo Ghoul:re working from 2014 to 2018), follows faculty pupil Ken Kaneki, who turns into a half-ghoul after a brutal assault and organ transplant from a ghoul assailant. Thrust right into a hidden world of flesh-eating beings who mix into human society, Kaneki grapples together with his id, morality, and survival in a Tokyo divided between people and ghouls. The manga’s intricate plot, psychological horror, and themes of alienation and prejudice earned it essential acclaim, with over 47 million copies in circulation worldwide.
The anime, produced by Studio Pierrot, debuted in 2014 with a 12-episode first season that stayed comparatively trustworthy to the supply materials, introducing audiences to Kaneki’s transformation and the ghoul underworld. It was a success, praised for its animation, soundtrack, and voice performing, significantly Natsuki Hanae’s portrayal of Kaneki. Nevertheless, the second season, Tokyo Ghoul √A in 2015, marked a turning level. Choosing an unique storyline that diverged closely from the manga, it condensed arcs, altered character motivations, and rushed key developments, leaving many manga readers dissatisfied.
The fan hate intensified with Tokyo Ghoul:re in 2018, which tailored the sequel manga however suffered from pacing points, subpar animation in later episodes, and omitted particulars that diluted the story’s emotional weight. Followers usually cite mishandled characters like Touka Kirishima and Eto Yoshimura, whose arcs felt truncated or misrepresented. Regardless of these criticisms, the anime launched the sequence to a broader viewers, boosting manga gross sales and spawning merchandise, video games, and live-action movies.
Ishida’s feedback aren’t remoted. In a 2022 livestream, he jokingly expressed curiosity in a remake, reiterating his desire for a “horrible” adaptation that drives curiosity towards the unique. his self-deprecating humor underscores his philosophy on success, as seen in different interviews the place he defines it personally: “For me, success is once I get the sensation that I drew one thing good. After I give it some thought, I do not really demand for it to be nicely acquired in society or that many individuals prefer it.”.
Regardless of the criticism, Ishida stays targeted on his craft. After Tokyo Ghoul, he launched Choujin X in 2021, a supernatural motion sequence serialized on Shueisha’s Manga Plus, which has garnered reward for its artwork and storytelling. He not often engages publicly with adaptation debates, presumably because of business norms or NDAs, as speculated by followers.
The resurfacing of this quote comes at a time when anime remakes are trending, with sequence like Rurouni Kenshin and Urusei Yatsura receiving trendy updates. For Tokyo Ghoul, no official remake has been introduced, however the persistent fan demand that’s evident via petitions and social media campaigns retains the chance alive. Studio Pierrot has moved on to different initiatives, however a brand new studio may probably ship the trustworthy adaptation many crave.
Ultimately, Ishida’s response encapsulates the advanced relationship between creators and variations. Whereas followers are unhappy about what may have been, his gratitude reminds us of the anime’s position in elevating Tokyo Ghoul from a distinct segment manga to a world phenomenon. As one reply put it, “Bless his humility, however such a masterpiece of writing deserves a trustworthy adaptation.” Whether or not a remake materializes or not, Ishida’s phrases encourage revisiting the unique manga, the place the true coronary heart of the story lies. Have you ever learn it but?
